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2 Bedroom 1 Bath/ Fenced in Yard. “CALL or TEXT”
919-308-7597- Pets Welcome-
“FENCED IN YARD!!!” Located just 1 mile from Duke East Campus and .06 miles to the main Campus. Duke Hospital is only 1 mile away. This House is completely renovated with a large living room and kitchen but retained its old Durham charm. Washer/Dryer incl. Close to campus and 9th street. Walk to Harris Teeter, 9th St amenities including restaurants and nightlife. Enjoy Cocoa Cinnamon around the corner. Don’t miss this opportunity to live in this 1930’s Bungalow. Go to www.KWDuke.com to apply. Application fee $50.00. Pets welcome.
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Hope Valley was Durham’s first full-fledged country club suburb, developed around an 18-hole golf course in the late 1920s. Traces of the farms that occupied the land in the 19th Century remain around the historic suburban landscape created by renowned landscape architect Robert Cridland. Mebane & Sharpe, Inc. developed Hope Valley to attract the newly successful the successful young professionals who were thriving in Durham’s tobacco, textile, and health care industries, as well as faculty from the then-new Duke University and the rapidly expanding UNC.
hv1Donald Ross designed the golf course to give privacy to golfers through the use of roadways and greenspaces that flank the course. Aymar Embury II, a well-known society architect known for the structures he created on Princeton University’s campus and in New York City, designed Hope Valley’s French Eclectic-style clubhouse. The building was “freshened” in the 1940’s. In the 1960s, Robert Winston (Judge) Carr’s firm oversaw a major renovation. Most recently, a Charlotte firm reworked the north and south ends, leaving the Carr work essentially untouched.
Hope Valley’s earliest historic homes are an eclectic mix of revival styles popular in the 1920s and 1930s: Tudor, English Cottage, Colonial, Norman Provincial, and even Spanish. Winding, narrow roads conforming to the hilly terrain weave their way throughout the neighborhood. Many of the houses in Hope Valley have interesting histories. The Sheperd-Mebane House was built on the Sheperd Farm on Hope Valley Road perhaps as early as the turn of the 19th Century. The Sheperd family sold the house in the 1920s to Mebane & Sharpe, Inc., and R. J. Mebane moved it to its present location, where he remodeled and enlarged it with two large wings. The Alyea House was not only built in Tudor style, but with 16th Century building methods, taking three years to complete. Raleigh architect Murray Nelson designed the Norman Provincial style Forbus House (NR) using a variety of dormers, towers, and decorative brickwork to create a picturesque facade. The Hubert Teer House is well known for the exact miniature model of it that Mr. Teer built on the grounds as a playhouse for his daughter.
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On his final U.S. tour, McLaughlin stops in Durham with Jimmy Herring Sunday evening.
Even if John McLaughlin had never released a single solo album or formed his pioneering fusion band Mahavishnu Orchestra, he would still be regarded as a visionary who changed the game for guitarists and profoundly altered the course of rock and jazz. After all, he was the iconoclastic six-string firebrand who provided a good portion of the grit in Miles Davis’s earth-shattering late-sixties and early-seventies jazz-rock recordings.… …read more
Crowmeat Bob’s Wednesday residency extends through the end of November at The Cave in Chapel Hill.
Bob Pence has gone by Crowmeat Bob for as long as anyone around these parts can remember. When the INDY conferred an Indies Arts Award upon him twelve years ago, praising him for his iconoclasm, inclusivity, and devotion to his art, he was already a scene veteran.… …read more
This weekend, at least, he’ll be at the Cat’s Cradle Back Room in Carrboro as Howard Ivans.
Ivan Howard grins when he talks about crossing over Kanye West. Early in October 2014, Howard—the cofounder of longtime Raleigh pop favorites The Rosebuds and a native of city suburb Fuquay-Varina—was about to wrap up weeknight band practice for an annual Halloween-themed crew he’d assembled in Portland, Oregon.… …read more
The duo headlines the Cat’s Cradle main room Saturday night in Carrboro.
For some music fans, a band intentionally shooting for catchiness is, on principle, a cheap move. But another school of thought holds that producing a truly original, memorable melody can be just as challenging—and worthwhile—as composing some crazy prog-rock symphony.… …read more
Orange County’s newest record store opened near Hillsborough’s Weaver Street Market in October.
Tony Lopez would like to hang out and listen to his record collection with you, and match you to a perfect beer while he’s at it. A Durham native and longtime d.j. and bartender, he opened Volume in Hillsborough in October with Nathan Andrews, a friend since high school.… …read more
The former Everymen frontman marinates in contemplation and complex emotions on his latest LP.
For the past several years, New Jersey-born Chapel Hill transplant Michael Venutolo-Mantovani has served as frontman for the raggedly lovable Everymen, a commendably unhinged garage and blue-eyed soul outfit. The band’s take-no-prisoners live sets and general sense of abandon narrowly obscured an attention to cerebral songcraft and a latent sentimental streak.… …read more
The Carrboro trio’s debut record offers affirmation and relief through its take-no-prisoners songs.
The world has always been hostile toward women and non-binary people, but the recent weeks of publicly relived tales of abuse and harassment at the hands of men have compounded this perpetual pain. But this means that Carrboro trio Fitness Womxn couldn’t have picked a better time to release Macho City, its debut LP and an essential, affirming force for these times.… …read more
Old Rigs, out now on PotLuck, is the result of several years’ rumination.
Ten years is an eternity in rock ‘n’ roll, where waiting too long to release new product can lose a band its audience. But in the case of Erie Choir, which has just released its first LP in a decade, the struggles and life changes that occurred between releases have informed Old Rigs, the proudly unprolific band’s long-awaited second album.… …read more
The Weather Station headlines the Cat’s Cradle Back Room in Carrboro Thursday night with Jim Elkington.
In early September 2012, Tamara Lindeman sat in a Hillsborough barn and, to a small but rapt audience, played songs from her year-old LP, All of It Was Mine. It was a stop on the Ontario native’s first-ever American tour and a precursor to an “official” anchor date at the Hopscotch Music Festival.… …read more
Singer-Songwriter and Producer Joe Henry Shares in Durham
Joe Henry has been a sui generis songsmith since the mid-eighties, traversing and transcending genres over the course of fifteen albums. As a Grammy-winning producer, he’s helmed projects by legends like Solomon Burke, Mose Allison, and Allen Toussaint, as well as Hayes Carll, The Carolina Chocolate Drops, and tons of others.… …read more
Tracks on the duo’s latest LP often go in several unexpected places, almost as if determined to repeat as few riffs as possible.
A seismic moment occurred in the late sixties when power trios rejected the two-guitar model made standard by the Beatles and eliminated one guitar. Taking away the bass yields an even more primal concoction, yet, as bands like the White Stripes, Black Keys, and the Kills have proven, that blunt guitar-and-drums essence hasn’t lost its currency.… …read more
Since 2013, she’s been helping bands record their best selves at Mitch Easter’s renowned Kernersville studio.
It’s approaching 9:30 p.m. on a Sunday night. A snowy, wet weekend is drawing to a close; most folks at home are probably winding down into their end-of-day exercises.… …read more
Loveless plays two acoustic shows in the Cat’s Cradle Back Room in Carrboro this weekend.
If you try to call Lydia Loveless on her cell phone and she doesn’t pick up, you’ll get the following message: “Hello, you have reached firebrand cowpunk badass Lydia Loveless.… …read more